Before the sensual revolution had a name, before the 1960s reshaped American culture, a young woman from Philadelphia stepped briefly into a spotlight that was still defining itself. Carrie Radison, born on November 1, 1938, in Philadelphia, Pennsylvania, became part of a publication that would grow into one of the most influential lifestyle magazines of the twentieth century.
Her appearance as Playboy’s Playmate of the Month for June 1957 placed her in the early history of a cultural phenomenon that was only four years old at the time. Carrie grew up in post-Depression America, coming of age during a period marked by optimism, economic growth, and sharply defined social expectations. The 1950s promoted an image of domestic stability, yet beneath that surface there was a growing fascination with glamour, entertainment, and changing attitudes toward femininity.
Television sets were entering living rooms across the country, Hollywood was exporting beauty and allure worldwide, and magazines were becoming powerful shapers of public taste. It was in this atmosphere that Carrie Radison pursued modeling and performance. Unlike many who stumbled into glamour work by chance, Carrie had shown an interest in the performing arts from an early age.
When she was selected as Miss June 1957, Playboy was still establishing its identity. Founded by Hugh Hefner in 1953, the magazine had already made waves with its blend of sophisticated lifestyle content and carefully styled nude photography. The Playmate centerfold was becoming a signature feature, combining glamour with an aspirational tone. These early Playmates were not yet global celebrities in the modern sense, but they were cultural symbols of a shifting era.
Her photographs reflected the balance Playboy sought in its early years: wholesome allure presented with polished artistry. Being a Playmate in 1957 carried a different connotation than it would later. The magazine positioned its models not only as objects of admiration but as women with interests, ambitions, and personalities. The accompanying biographical notes often highlighted hobbies, talents, and aspirations.In Carrie’s case, her theatrical and musical pursuits were part of her public profile, reinforcing the idea that she was more than a static image on glossy paper. Around the same time as her magazine appearance, Carrie also ventured into film. She is credited, sometimes under a slightly varied spelling of her name, with appearing in the 1957 crime film Johnny Gunman.
While the role was modest and did not lead to a long Hollywood career, it demonstrates that she explored opportunities beyond print modeling. For many Playmates of the 1950s, such crossover attempts were common. Some transitioned into acting careers; others found that the entertainment industry offered limited paths forward. Carrie’s screen work appears to have been brief, but it places her within the broader pattern of aspiring performers navigating mid-century Hollywood.
